Second Chances

I know, I know. I said that we were downsizing. And if that means anything, it means decreasing what we own and definitely NOT buying more stuff.

But since I discovered online estate sales last year, I have definitely taken a turn for the worse.

Today I went through my invoices to see exactly what all I have been bidding on (and winning). I’ve lost out on any number of things by not bidding high enough to secure them as the timed-bidding ran out. But I’ve won quite a bit, some things of value; some things I think (or thought) I needed; some items I just thought would be fun to have.

A few things, after I’ve picked them up from the home where the estate sale was being held, turned out to be, shall we say, not quite what I had expected. To be sure, nothing online has been misrepresented and for all of the auctions we have followed, there has been an in-person preview period. Those I generally forego as I don’t want to drive the distance twice. But wheels have needed to be replaced. A Nikon camera I bought wasn’t a digital format, that one is on me. The deer-antler-handle carving set was a win.

Over the past year it looks like I have concentrated on indoor furnishings, vintage furniture or decor. But more recently I have looked for garden tools, garden furniture, cement planters or garden sculpture. There is a wide variety of just stuff available through online estate sales. The company we have been bidding through will list everything in your home, from the contents of the silverware drawer to everything found in an outdoor shed. And under the deck as well. And the linen closets.

I’ve come to realize that, while there are many good deals to be had (we just recently picked up an unused toaster oven), there are also things that have left me scratching my head and wondering. Why? Why did l bid on that? Hmm?

The savvy collector will seek out comparable items to determine the worth of an item. I found myself bidding on something when luckily I was outbid and thought, “Did I really want to spend that much for a used item?” and Heaven help you if you have bid more than what an item is worth new because you hadn’t done your homework. But I’ve also let a few things get away that I hadn’t set an appropriate upper limit to my bid. Bids generally increase by $2 but at some point that increment can jump up to $10 or more. And I have lost out on something by $2 simply because I had set my max bid too low.

Over the year I’ve bought several mahogany picture frames, an antique Lane cedar chest, an antique Victorian mahogany wash stand which I refinished; several tables; a couple of wingback chairs; a beautiful sleeper sofa which we ended up taking to the dump; binoculars; a handpainted floor lamp; a metal detector that needed a new set of batteries; concrete garden planters; iron garden table and chair set; garden carts and a wheelbarrow and more I’m sure.

Have your participated in any online estate sales? Or perhaps have been thinking that a sale (really it’s a silent auction format) would be a great way to downsize? I look around at all that we have and shudder when I think how little our stuff might actually be worth. On the other hand, I’m pretty excited to get a nice garden cart–in need of new wheels– for only $15. It’s all relative.

A few of the fun things I’ve purchased over the past year. The gorgeous Victorian mahogany frame is still waiting on a decision to paint it or leave it natural. And I have a couple of tables that are waiting on refinishing, other than that we are in a good place. But maybe it’s not quite the time to really downsize.

Hand Made

I was in 10th grade when I first started to make hand-lettered signs. Professionally that is; before that I had been your go-to guy for all types of posters and blackboard art in school. But it was in high school that my career, as it was at the time, really took off.

My journalism teacher at that time and her husband helped out at the local Little League baseball field. He may have been a coach though I don’t really recall much other than boxes of sporting equipment in their garage and station wagon. My job however, was hand lettering the many advertising signs that were mounted to the fence surrounding the playing field. 4ft x 8ft plywood signs, mostly painted white, hand lettered with your business name, perhaps a logo, and a phone number and an address. Occasionally we would put two businesses on one board and the text got a bit smaller, but overall it wasn’t a difficult job making four inch letters look legible from the outfield.

That skill helped me quite a bit when I took a job after college in San Diego. Working at Robert Keith Giant Inflatables, I was part of a team of artists who hand painted logos on twenty foot tall vinyl beer bottles and cans. (I wrote about that previously here.)

However most of my graphics career was spent in the screenprinting industry. The billboard posters I printed had a handshake relationship with old-school lettering in that the projected image of text was drawn by hand and then a stencil was cut by hand using an exacto blade. Those paper stencils were used to produce hundreds of identical prints, whether they were yard signs for elections or 30 ft billboards for casinos in my hometown of Reno. The screenprint produced a much cleaner, sharper image of text than my admittedly shaky brushwork ever could. 

All of which brings me to our recent visit to Tennessee and the opportunity to enjoy two vastly different exhibit experiences which showcased basically the same material. 

The Museum of Appalachia twenty miles north of Knoxville in Norris, TN is a wonderful collection of relocated early American frontier buildings, from one-room log cabins to sheds and barns filled with memorabilia. Several larger new structures are jam-packed with an overwhelming assortment of photographs, personal items, home goods and cottage industry crafts, guitars, banjos, dulcimers and small exhibits devoted to favorite sons such as SGT Alvin C. York (WW1). 

Much of the collection appears to be pre-industrial revolution items or shortly thereafter. But what captured my attention wasn’t the time period or the quality of craftsmanship displayed: it was the sheer quantity of materials they had on display! And nearly everything came with a simple hand-lettered caption label. So much stuff! All labeled! Beautiful, shaky, fading-to-grey black ink on sepia colored cardboard labels. Admittedly they were hard to read, but they looked like letters or postcards from a forgotten era.

The next day we toured the Great Smoky Mountains Heritage Center in Townsend TN. A beautiful structure with engaging exhibits, the Center appears to be well funded. The exhibit casework is new and reflects our current design trend of color-coordinated thematic divisions. Essentially a book-on-the-wall exhibit experience, it is clean minimalist design. All the body text and object labels are printed (likely off a digital printer, those having superceded screenprinting technology) and there is a curated sense of purposeful arrangement to the items on display. The overall sense here is one of Story, what do these objects tell us about the past and the people who lived here.

The two locations are only 50 miles apart. They couldn’t be farther apart in their differing approaches to presenting and helping us to understand the past and how we are related to it. For all the years I spent in the museum exhibit design and production industry, I have a built in bias towards the clean uncluttered presentation style of the Great Smokies Visitor Center. 

But I have to say, those hand-lettered display signs and labels on all that stuff at the Museum of Appalachia really have me reminiscing. And who doesn’t like the thrill of discovering something tucked away, much like going through an old trunk or your Grandmother’s photo album, only to find pictures of…you?

Frame It!

This past year I became enamored? Infatuated? Engrossed? In online estate auctions. I know, it seems counter intuitive to be buying things we likely don’t need when our goal these past several years has been to declutter and downsize. But really, who can’t use another hall tree or hat rack, and maybe a beautiful Panama hat to go with it? But I digress. 

What I have found to be a lot of fun is bidding on vintage and antique furniture in need of some repair or refinishing. There might be an opportunity for resale at a later date, but that isn’t why I’ve been buying Victorian walnut washstands (original marble top!) or mahogany side tables. Or antique shaving mirrors.

Growing up, I remember Dad had a tool shop in our garage where he would occasionally turn out small projects. It was on his Shopsmith lathe that I first learned how to turn wood for candlesticks, and his table saw is what I used to make the frames for stretching canvas for my paintings during college.

For many years I was employed in the exhibit industry and the woodworkers who created the custom exhibits and cabinetry were always very supportive of my small “homey” projects. So I’m not unfamiliar with wood and the growing community of DIYers and refinishing/repurposing trends. 

Antique mahogany frame

But these Victorian frames that I’ve been buying have me a bit confused. What to do with a 22”x24” frame composed of three separate moldings, that framed a portrait of  someone long deceased? The two companion frames that I bought at the same time came from an estate sale in Culpeper. Other than cleaning, they are in great shape and all I need to do is find a more suitable image to place in each before they go on the wall.

But this one has been a challenge. I repaired some of the missing molding by taking an impression with DAX modeling clay of a matching section of frame, then glued on the new pieces. Rather than take the entire frame apart to “resquare” it, I left it as I had found it, somewhat warped at a jaunty angle, but showing the passage of time. The Victorians seem to have placed more emphasis on the size of the frame than what went in it. Very peculiar to our modern preference for pencil-thin frames and large scale artwork.

After doing what I could do refinish the frame and repair the missing moldings, I decided to paint it. I took design inspiration from the wildly over-the-top decor of The Greenbrier Resort in White Sulphur Springs WVA. Nearly 80 years after Dorothy Draper redesigned the interiors of the resort, I’m amazed at the effect bold colors and large patterns can achieve. I cringe when I see things painted white (so many colors and you chose…white?) so I settled on a bright blue. It’s a statement piece, for sure. But I’m still at a bit of a crossroads; what to put in the frame? 

Upcycled

Upcycled, recycled, DIY makeover, finished, refinished, trash-to-treasure— call it what you will, the “don’t throw that away” movement is definitely here to stay. With the cost of new furniture, and shipping problems continuing to be an issue, it only makes sense to repurpose what you have rather than buying more. But what if what you have isn’t quite right or isn’t working for you anymore?

I’ve seen and read a crush of articles recently extolling the virtues of shopping the second hand market for furniture, or salvaging a piece from someone else’s trash before it becomes landfill; but most of those projects end up all looking alike. The paint-it-grey urban farmhouse style has a firm grip on today’s design world. Much like the all-beige world of the early 90s, trends can really take ahold of our consciousness.

I am aware that no one wants OUR stuff, especially the kids! And that includes our collectibles, knickknacks, souvenirs, and other space wasters and shelf hogs. However, we all want YOUR stuff if it is vintage, antique, or can be painted and made to look like new.

Many online sources have chronicled our obsession with old=new again. 

In an article from early in the pandemic (Oct 2020) Vox noted how people’s choices to buy used furniture created new opportunities for some, yet at the same time previewed hard times ahead for some retailers. It could be an early indicator of a market shift, or just a temporary reaction to supply shortages and high prices at a time when folks were reticent about going out. Time will tell. 

Online articles will tell you how to clean second hand furniture, how to detects pests (bedbugs in the sofa?), what not to buy second hand (mattresses, again…bedbugs), where to score great mid-century modern furniture (estate sales and auctions, especially in MCM neighborhoods such as Mantua in Fairfax), and of course there is Pinterest for how-to ideas once you have your new/old piece. 

Lately I have become a bit obsessed with online estate sales. Well, auctions, rather than sales, and that is an important point to remember. While you might rejoice over the initial low bids on a particular piece of furniture, the bidding can quickly ratchet up past your limit in the final hours of a sale. No one wants to get caught paying more for a piece than it’s worth!

On the other hand, I’ve bought a beautiful Victorian walnut washstand for $23; a mahogany sidetable for $10 (I kept the legs and threw away the damaged top); and a nifty dresser shaving mirror in mahogany for $40 which I will be refinishing soon. The mirror, along with a couple of very old picture frames, came out of the Hill mansion in Culpeper. Just getting the opportunity to walk through the mansion to pickup my treasures was worth the trip!

I’m having a lot of fun trying out a few new techniques. The two Victorian-era picture frames that I bought are in need of some repair. One of them is missing the cast plaster molding in a corner. I’ve cast a new corner piece from a mold I made out of DAS modeling clay. Fingers crossed that the finished project turns out!

The kids may not want our stuff, that’s true. But I’m still looking for projects to refinish!

A Wonderful Life

The holidays bring no end of opportunities for musical and dramatic presentations. Charles Dickens’ A Christmas Carol seems to never run out of venues, whether performed at community theaters or touring companies. So it is also with The Nutcracker, or holiday sing-alongs to Hansel’s Messiah

If, like many families, you have your collection of DVDs, then by now you may have already watched White Christmas or A Christmas Story. Or you may be more partial to new favorites such as Elf; How the Grinch Stole Christmas; or Home Alone. The Hallmark Channel serves up an endless supply of 25 Days of Christmas movies to get us all into the spirit!

It’s a Wonderful Life premiered in December 1946. It was not a commercial success by today’s standards (initial box office release places it near $3.5 million) and doesn’t fall anywhere near the top 50 highest-grossing Christmas films. (Dr. Seuss’ The Grinch (2018), at $512 Million takes first place, followed by 1990’s Home Alone $496 million. https://screenrant.com/christmas-movies-highest-grossing-box-office-mojo/

Yet it has taken its place on many Christmas movie lists as one of the most-loved holiday movies. Due to an oversight by the copyright holder Republic Pictures, It’s A Wonderful Life came into the public domain in 1974 and was shown repeatedly on television for many years. For many of us “boomers” White Christmas and It’s a Wonderful Life are the definitive holiday movies.

It’s a Wonderful Life: A Live Radio Play (full-length version)
It’s a Wonderful Life is based on the story, The Greatest Gift by Philip Van Doren Stern and was adapted by Joe Landry in 1996. This past week we saw a wonderful performance of this charming holiday favorite by the Four County Players in Barboursville VA. The building is a beautiful historic school building from the 1930s filled with character. The stage of the auditorium of the Barboursville Community Center (formerly Barboursville High School) was transformed into the Manhattan radio station WBFR and side wings served as a “green room” during the play’s intermission.

The Players have been putting on a wide range of shows for over 40 years now. Looking through their website, musicals, comedy, and dramas abound and titles such as God of Carnage, The Laramie Project, and Chicago emphasize the wide variety and challenging pieces they have taken on.

It’s A Wonderful Life performed as a live radio play adds an extra depth to a story that has become very familiar over the years. The idea of watching actors, who are themselves portraying actors, who are telling a story set in the postwar 1940s makes this show both familiar and fresh. It’s as if we were being treated to a contemporary podcast, yet here the actions and expressions of the people on stage carry even more emotional weight than would a sound-only podcast.

Frank Kapra directed the movie, based on the 1943 short story The Greatest Gift by Philip Van Doren Stern, at the end of WWII. James Stewart had just gotten out of the Army Air Corps and the themes of faith and family, along with deep emotional trauma, surely resonated in his performance. It is a strange coincidence that this play takes the stage again 75 years after the movie’s premier, also at a time when the US has returned home from war.

Yet just as moving was the poigancy that Ken Wayne brought to his portrayal of the drama’s character Jake Laurents, voicing the play’s character of George Bailey. John Holdren’s portrayal of the radio show host was very impressive, switching from host to numerous characters seemingly at ease. Using only their stage scripts as props, or perhaps fussing with the fit of a garment, the cast brought multiple characters to life on stage. Very impressed by Sara Conklin and Katie Hutchins! A great delight was the onstage presence of two Foley artists producing an array of sound effects–from the sound of shoes crossing the floor; broken glass; wind effects; doors being slammed; to the swoooooshing sound of deep waters rushing under the bridge our main character finds himself standing upon.

I had expected the drama to be a bit more “staged,” the actors perhaps just sitting around their microphones in a sound booth. Director and scenic designer Kerry Moran has laid out a beautiful set with the actors front and center. The actors were on their feet at the microphones most of the time, true, but the camaraderie and playful banter exhibited by their onstage characters brought a great deal of additional life to the drama. The action moves along at a quite lively pace. Our director knows there is an audience watching these performances: subtle yet at times dramatic lighting effects coupled with musical backgrounds fill in what could have been a staid production. And those costumes! Welcome to the 1940s.

This was our first time attending a Four County Players’ performance; what a great introduction to theater in Central Virginia and a start to the holiday season.

George Bailey returns a changed man. “Dear George, remember no man is a failure who has friends. Thanks for the wings. Love, Clarence.”

Book illustration by Scott McKowen from The Greatest Gift, published 1996 by Viking Penguin

Changed My Mind

First, an apology to all of my woodworking friends, craftsmen, and fabricators and finishers who create extraordinary pieces of furniture from walnut, mahogany, cherry and other woods. The rich gleam and subtle play of light accenting texture and grain  in your pieces are unmistakable.  The deep colors of walnut or an ebonized finish are striking. 

But I’m afraid, most older pieces of furniture (vintage, antique?) leave me wanting to grab my paint brushes and get started. Painting. Covering up those wood grains with a bright coat of gloss white enamel or lacquer, or maybe even a distressed crackle finish with a rubbed-in patina. 

Lately I’ve been partial to painting furniture with a whimsical collage of colors and patterns —think of Mackenzie-Childs, though with a more muted color palette than their hot pinks and spring greens or black and gold patterns.

Estate sale side table.

When I found an antique table available on a recent estate sale, I knew it would look great as a table base for one of my hand painted faux finish table tops.

A few years ago, Deb and I drove over to The Greebrier in WVA for lunch and to have a look around at their world-renowned interiors. The main rooms were especially colorful over the Christmas holiday and I remember how striking the decor seemed. Originally designed by Dorothy Draper and now maintained and refreshed by Carlton Varney, the bold use of color and over-sized patterned wallpaper really caught my eye. Not to everyone’s taste, I’m sure, but I loved those huge black and white checks, striped wallpaper, and painted tables. 

A settee in bold pattern, flanked by gloss black side tables.
Grey, blue, or citrine yellow for the table base?

It was in the spirit of the over-the-top Greenbrier decor that I expected to paint the legs for my blue marble table. Not black. The legs already looked black from aged varnish. Maybe bright white or a pewter gray to complement the greys and blues of the painted top. Or perhaps a vivid citrine yellow. But definitely color. 

While sanding through that almost-black finish, I discovered that the table base was red mahogany. Surprisingly I’m rather partial to mahogany. I’m not a big fan of the lighter finishes of woods such as ash or maple; definitely not a fan of the current gray-washed everything. But I love walnut and mahogany, especially with a satin finish or a hand rubbed look. 

So, my apologies to my woodworking friends for all the shade I’ve thrown your way over the years. This past week I bought a can of tung oil with my sandpaper. 

You can see the results below.

What Its Worth

We have found one of our favorite past-times during traveling is to stop in at antique and vintage shops and browse around. We seldom buy anything, and very often I’ll hear others comment, “Who would buy that?” Or more likely, “who would pay THAT MUCH?!” for a certain item. My wife will always give me a look, or a shush! but I’m sure it’s a common observation over what often seems to be random pricing in the second-hand retail market.

This fall we finally stopped in at a shop we have literally driven past for years. Finders Keepers is located on Main Street in Orange, Virginia and we see it nearly every time we head down to one of our favorite vineyards in Barboursville. Their website indicates they have been in business for over twenty-five years so I am surprised to see how long it took us to stop in. Needless to say, it was worth the visit.

Finders Keepers building in Orange Virginia

While we browsed their extensive assortment of items, everything from furniture to lamps, prints and paintings, and home decor, I struck up a conversation with owner Bradley Toombs. We talked about how Covid has rapidly changed the face of retail, especially small businesses. During our conversation he mentioned that they also run an estate sale business and gave us his card to check it out later. Acorn Estate Liquidators offers online and in-person estate sales providing their clients with options to liquidate their personal possessions. It turns out, as many people are contemplating downsizing or moving away from the area, one of their greatest concerns is what to do with all of our stuff.

More out of curiosity than a need for anything, I checked out one of their online auctions.

WHAT A SURPRISE!

Here’s a brief list of some of the things that were available to bid on:

  • Antique furniture and lighting
  • Clocks, collectibles, paintings and prints
  • China and crystal, silver, pottery 
  • Linens, quilts, and rugs

There were hundreds of items to bid on, most of which listed had an initial bid of $2. In some cases they increased by as little as $1 per bid. I’m struck by how little some of these items eventually sold for. There was a vintage Leica camera complete with additional lenses and a gorgeous leather camera bag that topped the bidding at $3,500. But that seemed to be the exception. Most of the lots closed at prices under $50.

So I jumped right in and started bidding! I lost the auction on most of listings I bid on, in some cases by as little as that $2 increment. But a couple of things that I bid on, I won.

While I’m quite pleased with having won the bidding on this sofa for $10, I think I might have gotten carried away bidding on this vintage children’s wagon. It looks great in the garden, I plan on filling it with potted plants in the spring, but the $27 that I paid for it was probably a little high. I am surprised at how many winning bids came in under $10. I suppose with an opening bid of only $2, it can take some time to reach a respectable bid offer. Yet there are always a few items that fetch commanding prices such as estate jewelry, fine art, or some of the antique furniture. Right now I have my eye on a beautiful wingback chair in great condition ($10) and an antique Victorian walnut marble-top washstand (my bid so far: $5).

But much of what’s offered looks like will bring in far less to the family than perhaps what they were anticipating. And that’s what really has me intrigued. When I look around our own living room, for instance, and contemplate what we paid for things like sofas, side tables and lamps, and all the decorative pieces that fill our rooms, and start adding up what I think they will get at auction, I begin to get a sense of real value versus cost.

Do not store up for yourselves treasures on earth, where moth and rust destroy, and where thieves break in and steal. But store up for yourselves treasures in heaven, where moth and rust do not destroy, and where thieves do not break in and steal. For where your treasure is, there your heart will be also. Matthew 6:19-20

True Colors

It’s been reported that the human eye can detect anywhere between 1 million and 10 million colors. Today’s LCD computer monitors can render 16 million colors. On the rainbow spectrum (ROYGBIV), green sits in the center of that array. 

Many studies, scientific or casual observation, pretty much confirm what many of us know, or at least suspect. Among men, their favorite color is blue, followed by green. And among women, their reported favorite color is blue followed by purple. https://www.livescience.com/34105-favorite-colors.html

Color Chart with men and women’s preferences

Color wheel credit: A sample of 1,974 men and women were asked whether they preferred purple, blue, green, yellow, orange, red, or pink. (Image credit: Phillip Cohen Family Inequality)

All of this interest arises from a tour we had taken this summer at Henry F. duPont’s magnificent home and now museum, Winterthur, in Delaware. Apart from the extravagantly decorated rooms, it wasn’t hard to notice that duPont had a fascination for color and the color green specifically. According to the current exhibit “Outside In, Nature-Inspired Design at Winterthur;” duPont identified 48 shades of green in the garden. As to how many translated to inside the museum nobody knows, but as in his gardens, the many shades of green used indoors were intended as backdrops for color, whether from the flowers displayed in each room, or the assembled decorative pieces: furniture, carpets, paintings, ceramics and porcelain, a profusion of small and large knickknacks. The overall effect is quite overwhelming to the modern eye, yet harmonious and often inspirational. 

Outside In: Nature-inspired Design at Winterthur

So it strikes me as a bit of a disconnect when we consider how we modernists have such a timid relationship with color. Gray: the most popular indoor paint color today is gray. “Agreeable Gray, by Sherwin Williams, is our most popular gray paint color because it’s the perfect hue for any living space, whether it be a family room or bedroom,” says Sue Wadden, director of color marketing at Sherwin-Williams. (Jun 30, 2020)

What happened to blue? Or green? A quick web search revealed nearly 497 million entries for the terms “psychology of color”. While we often think of the color red, for instance, as being associated with passion; the color blue with tranquility, peace, and often sadness; the colors yellow and orange with confidence, optimism, and happiness, I wasn’t surprised to see that green is often thought of as the color of growth (of course!) renewal and awakening. But Gray? Well, gray is described as secure and reliable or conversely, as sad, depressing, or unsettling. (Thealignedlife.com). I want color! More color! I want True Colors.

But I see your true colors
Shining through

I see your true colors
And that’s why I love you
So don’t be afraid to let them show
Your true colors
True colors are beautiful
Like a rainbow

Cyndi Lauper, True Colors 1986

We have strong feelings about certain colors so it isn’t surprising to find many songs named after colors, or with a color in their title. Below is my effort at a color-coded playlist in order on the spectrum. Do you have a favorite color or perhaps a song associated with a color? Comment below!

RED, Taylor Swift

(link)

ORANGE CRUSH, REM

(link)

YELLOW, Coldplay

(link)

THE COLOR GREEN, Rich Mullins

(link)

BLUE, LeAnn Rimes

(link)

MOOD INDIGO, Duke Ellington

(link)

PURPLE RAIN, Prince

(link)

Big Real Big

I first learned silkscreen printing when I went to work for a sign company printing billboards back in the 1970s. It was a part time job while I attended the University of Nevada. Today billboards come in a lot of varying sizes and the technology has changed dramatically over the past 40 plus years. Many billboards are now printed digitally (think of a gigantic HP plotter), or even comprised of small LED units to create vivid moving graphic displays. But back in the day, we printed on sheets of paper, 42” x 60”, 12 sheets to a sign. The screens were huge compared to the little screens we had used in art class. The squeegees were big. We mixed up the ink up in 5 gallon buckets. Everything was big.

Checking the registration between the screen and the printing substrate.

When I moved to San Diego after college, I found a job in another screen printing company doing the same thing as before. We still used hand cut paper stencils, adhered to the bottom of the screen, to make our impressions. But this company had an industrial-sized copy camera and a dark room, so we produced a lot of signs using film and photosensitive emulsion coated onto the screens for the stencil. 

I left them and helped to start another printing company (a competitor with several former employees from our previous company—not sure how I feel about that now). 

But those positions and experiences all prepared me for the move to the Really Big  Show. Robert Keith and Company, San Diego was a design and fabrication company specializing in custom made Giant Inflatable Product Replicas, along with inflatable college mascots, logos, scenic props, and advertising. Everything we made was BIG.

When they received an order for multiple copies of twenty foot tall Budweiser cans, the decision was made to create an in-house screen printing department which would augment their hand-painted graphic capabilities.

We created twelve foot long screens to print labels directly on the fabric pieces which would then be sewn together to create the product replicas. We printed for Budweiser, Miller Beer, Corona and Dos Equis, San Miguel and Tecate,  Strohs and Pabst beers, and Pepsi. Bottles and cans, even a giant six-pack created as an inflatable building, were some of the many oversized projects I helped to create.

The company changed hands and names a couple of times thru the years. I got back in touch with them several years ago. I was surprised and more than a little impressed to see they are still in business, making things BIG as http://www.biggerthanlife.com

Oh! Side note here. For years one of my unofficial nicknames has been Hon Real Big. I like it! I think I might have preferred “Slim” or “Speedy,” but none of those quite seem to fit now.

Catching Up

One of the most exciting aspects of reconnecting with friends has been to discover what they are doing now. While Facebook has been a great resource to find and reestablish friendships from years ago, I’ve discovered it’s not the only way to do that.

Recently I found an old college roommate (old as in the sense, from years ago!) while searching online for someone else. Google returned a vast array of individuals with the same name as my search; when I cross-referenced a few of them through LinkedIn I was surprised at who I had found. I wrote about reconnecting and catching up with John last week (here). Since then we’ve done a deeper dive and spoken on the phone, he refreshing my fading memory and sketching in more details of his life now.

Another friend from my time in the service, US Army 83-86, moved back to the Pacific Northwest upon retiring from the Army. I follow him on Instagram and was encouraged to see that he and his wife have started a podcast primarily focused on travel and the adventures of a blended family. More power to them! Just as the internet has allowed for a wider audience for writers, it has also opened up the broadcast medium to more voices speaking from their own experiences. Take a listen here https://podcasts.apple.com/us/podcast/lifetrek/id1553717951

Last year I had plans to join my fellow high school graduates to celebrate our 50th Reunion. While those plans were cancelled due to Covid-19, I was able to reconnect with a number of friends thru the Facebook Group one of them had set up for a previous reunion. Catching up online, looking at pictures of children ( and grandchildren!) was itself a small consolation for missing out. And truthfully, we didn’t get fingerprints all over the photo albums that inevitably get passed around. 

Last year I spent some time searching online for information about a Nevada artist, one of whose paintings my parents used to own. When I came across a photo of his painting on a website devoted to Western artists, I was intrigued. It had been used to illustrate an article, a review of a new book comparing the lives of two prominent Nevada artists, one an author, the other a painter. I found the book on Amazon and ordered it; read it; loved it. The book’s author had moved to Reno, my hometown, so I tracked him down and shot off a letter to him. I was agreeably surprised to receive a reply. Anthony noted that he has a new book to be published this spring on another Western artist from the same time period and that he would alert me as to the date. A nice touchstone with an important part of my distant past.

Filing box with old cards
Paper filing card system.

Last year we had a mobile shredding service come out and destroy dozens of boxes of old business records, files and notes on people, some of whom I know have passed on. But what of the rest? What has become of some of these names in files from decades ago? What of their families, their children? Where are they all now? And what about us, have you gotten in touch with someone from your past? No guarantees but it is nice to see how some stories have turned out years later, when perhaps we had only seen the first chapter.