Month: November 2022

The Forbidden Forest

/ ronnyjames / Leave a comment

Harry Potter, A Forbidden Forest Experience is currently engaging fans and friends of the Wizarding World at Morven Park in Leesburg, Virginia. It’s hard to imagine the scale of the amount of effort that has gone into this production, from creating the animated props to laying gravel paths lined with Bose speakers, fog machines, and theatrical lighting through the forest of the park. 

As we walked thru it, all I could think of was, hats off to the designers and other creatives (and the IT Department!) who had managed to produce something this massive, involving so many people and cross-disciplines, during the time of Covid.

The Forbidden Forest Experience operates on two entirely separate levels for me. There are enough vignettes—Hagrid looking out into the dark night with his dog Fang next to him for instance— that a fan of the books will be happy, lead along the trail hoping to discover what’s next around a bend or over a hill. But I’m more drawn towards the production side of the experience. LED lighting in the trees, gobos along the paths, the enchanting lighting effects of the field of mushrooms for instance. 

Walk-thru experience have become more common recently. Christmas lighting displays are hugely popular and have grown in complexity the past few years. And really, aren’t we all fans of dinosaurs and the recreations of them? The Jurassic Encounter (https://nova.thejurassicencounter.com has plenty of dinos but they are the main attraction, not the environment.

The aspect that sets the Forbidden Forest Experience apart from any other outdoor adventure I’ve experienced lately is, literally The Forest. There are activities, vignettes, owls, spiders, centaurs and unicorns placed along the trail for everyone to enjoy. But it is the forest that becomes the main character in this drama. Dark, spooky, mist-shrouded or brightly lit in reds, greens, and blues, fallen trees or clustered oaks, white sycamores etched against the moonlit sky: the Forest is the King here. Playing throughout the experience is music from the movies and it really enhances the overall effect.

After searching online for the design group responsible for this adventure,  I came across Thinkwell Group. The tagline on their website really spells it out, “creating custom, content driven experiences in the physical world.” Lighting effects were created by Adam Povey Lighting. I was surprised to learn that there are several other locations of the Forbidden Forest Experience currently available to see, one in Westchester NY; one in Cheshire UK at Arley Hall and Gardens; and one in Belgium.

There is food available and a merchandise tent at the end of the trail— it is Harry Potter and Warner Brothers after all.  This isn’t a recreation of the Harry Potter World at Universal Studios (no theme park rides) but you can get butterbeer and a souvenir mug, t-shirts and hoodies, and of course adorable stuffed animals. We took home one of the Nifflers; keep an eye on your jewelry! If you consider going, ticket prices seemed a little high for what we are used to, certainly cheaper than Wicked tickets at the Kennedy Center, but more than what you would expect for an experience where you are doing most of the work, or at least the walking. There are family ticket prices. Take a lot of pictures: many of the participants came in costume and really added to the excitement. It is a non-cash event (credit only), something they do announce on their website. The parking lot as well as the road leading into the event area was well marked and well lit. Parking was an additional fee.

When we were there the evening temperatures couldn’t have been better. It was the day before the full moon in early November and a light jacket (wizard robes) was all we needed. The flashlight I had brought was unnecessary and the path could easily accommodate strollers. 

Seeing Double

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We lived in several houses growing up in Reno. Until my parents divorced we lived near Wooster High School. Later after my Dad remarried, we lived in a small home off Peckham Lane in the Smithridge area. 

In the living room of both homes we had a fireplace and over the fireplace hung a painting. George Carter painted many Nevada scenes during his lifetime, some of which may have been inspired by Nevada magazine covers. The view of desert and mountains that we have was purchased from him in 1964 while Mom worked at Brundidge’s in downtown Reno. It now hangs in our guestroom and of all the paintings, photos, and memorabilia—this painting most reminds me of Nevada. The dark layering clouds over snow-covered mountains, mountain peaks catching the light, the scent of sagebrush in the dry air.

In my Dad’s home we had a different painting hanging over the mantle. Painted by my stepmother’s sister, Maxine Randall Peters, it depicts a red barn surrounded by gold-leafed trees in autumn, snuggled up against the foothills of Mount Rose. It’s a readily identifiable location in Washoe Valley. It appears Maxine had painted a lake or pond up close to the building in order to reflect the brilliant yellow trees and that gorgeous red color. 

The two paintings capture two very different views of Northern Nevada, one looking possibly towards the Sierra in the West, the other a view of the foothills from Washoe Valley, both areas I was familiar with growing up.

Though I now live in Virginia, my wife and I return often to visit family in Reno. I’ve joined a number of Reno and Nevada-interest Facebook groups, most of which feature photos of the amazing landscapes for which the state is known. Some of the sights are new to me (wild horses seem to be everywhere now, rarely seen when I was growing up there); other photos are of familiar areas such as Pyramid Lake, the Truckee River, or Lake Tahoe.

But I stopped immediately when I came across a familiar image on Facebook last month. Incredible! The red barn from my aunt’s painting, pictured in all the golden glory of fall, in a group of photos by an FB group member. Impossible! Maxine had created her  oil painting back in the 60s. The barn was old then, how could it still be standing?! I’ve framed the photo and it now hangs in my Nevada-themed guestroom. It’s a brighter version of the scene Maxine painted years ago; the cottonwood trees dominate the image and nearly obscure the barn at the center of the photo. The barn isn’t red like our painting; perhaps it never was, maybe that was just another embellishment of the artist. I like it.

While I was searching online for more photos by Lee Molof, I came across another painting by George Carter dated sometime during the early 1960s. And then another. A third and now a fourth.

All five images bear striking similarities: the pyramid-shaped mountain in the middle ground, mountains to the left of the image, sagebrush in the lower right foreground. All of them are overshadowed by immense cumulonimbus clouds. Of the four, I prefer the overall coloring in ours: the coral-tinged mountains are a little closer to the viewer; the arroyo or dirt road in the center has a slate grey that mimics the snow covered mountains in the distance. Orange flowers dot the foreground and place the image as perhaps early spring, snow hasn’t yet receded from the mountain peaks.

I’m curious to find the original location that Carter used as reference material. If it is indeed from a Nevada magazine I would like to get a copy of it, perhaps a nicely framed photo to go with our painting. If civilization and the expansion of Northern Nevada suburbs haven’t destroyed the view, I think it would be great to pair the photo and the painting in the same room. It’s a bit of Double Vision, a nod to the past as well as the present. I like it.

Just to be clear, I don’t own the four paintings in the collage above. All of them were found on online art auction sites. In most cases, Carter oil paintings sell in the mid $500-800 range. Mom says she paid $30 for ours and bought it directly from George Carter when he would come in to Brundidge’s for art supplies or to have paintings framed.